Mandrake Family

11 Apr

Family
These three were once conjoined as a single root. Sadly after the winter I noticed the tissue at the top had become soft and started rotting away. I decided to dig them out and safe what was left. They’ve been drying for 3 weeks now and thus far looking good, still almost as fleshy as on the photo.

Mandragora officinarum plantlets

Small mandrake plants from a German seller, arrived today. I quickly unpacked and watered them. They currently reside in our veranda, where they have evening sun, and seem to be doing well thus far. The leaves keep growing. I will wait with repotting until they withdraw their foliage.

Vernal Sun Eclipse 2015

20 Mar

IMG_0932_0908+ copy

Solar eclipse 20 March 2015, coinciding with the vernal equinox and another black “super moon”

This time I photographed the event from the observatory Radebeul. Talking to other photographers and experienced hobby astronomers helped a great deal. Also there were a lot of different telescopes to try out. Some had filters that allowed for infrared frequencies to pass. The below photo is taken at the large Zeiss refractor. This way the sun activity could be observed closer…

IMG_0952+ copy2

Also note the little sun spot on above pictures…

Another had installed an adapter for smart phones, so people could photograph the eclipse with their smart phones through the telescope…

IMG_0921 copy

Simple and creative tricks for observing the eclipse without special glasses where shared as well…

IMG_0889 copy IMG_0899 copy IMG_0917 copy

1.) Through a skimmer 2.) through a perforrated carton, creating a nice pattern 3.) through the thumb and index finger forming an “o”

Now here are some more impressions. The the sky was clear, but the air above town was foggy. Also you may sense the gloomy atmosphere as the sunlight was dimmed during the eclipse…

IMG_0934 copy IMG_0924 copy

The below building houses the large Coudé Zeiss refractor…

IMG_0938 copyIMG_0944 copy

Post-eclipse, packing up

Mandragora Flowering

26 Feb

Mandrake Flowering

Vernal mandrake shooting forth plenty of flowers, in fact surpassing all previous years. It’s an utterly delightful sight! But still too early for bees or other pollinators. I may have to jump in…

This is my last of the vernal variant, all the others are autumn mandrakes, which flower in autumn and resort to an underground existence after christmas, usually showing no sign of life until the next fall. Even though I saw one of them is sprouting anew… I wonder if that one manages at last to actually flower at a time when the temps and light conditions are suitable.

Me and the mandrakes… an endless story to be continued.

Another photo of the plant in its current state of glory… those fresh leaves that look like salad (but are really very poisonous thanks to a variety of alkaloids) may soon extend to half a meter length.

IMG_0502 copy

Btw. I’m working on Regina Amandrakina prints…

Dream Waters

21 Feb

Been diving
in the dream waters
deep
time to get back
to the surface
least I become
lost down here
once again

The Leaper Between

19 Feb

18 February 2015

In the mail today: Andrew D. Chumbley’s “The Leaper Between”. The book was released in 2012 by Three Hands Press. The text was written by Chumbley in 2000, an abridged version was first published in The Cauldron magazine in 2001. I yet have to understand in how far the essay is related to ONE: the Grimoire of the Golden Toad (or isn’t). Apparently the Golden Toad is more of a personal account whereas the Leaper is a historical research. I’ve been recommended to read both, but unfortunately the Golden Toad is now very hard (and costly) to obtain. The hardcover editions of the Leaper had sold out rather quickly as well and it was only thanks to a customer that it came into my hands.

This is number 219 of 231 “deluxe hand-numbered casebound copies in iridescent brick cloth”. It has a gilt toad device on the cover, designed by James Dunk. The same illustration is used on the title page, which is wrongly referred to as showing the toad at the roots of the alchemical tree from Samuel Norton’s Mercurius Redivivus. A correction for this is given with a bookmark, along with the title for the illustration being “Waters of the Moon”, a reference to the ritual account of the Norfolk horseman Albert Love (b. 1886) as well as the initiation rite given in Chumbley’s Golden Toad. The title illustration is a beautiful work of illustrative calligraphy, reminiscent of Arabic calligraphy and said to contain hidden links to Chumbley’s own alphabet.

Besides, paperback copies of the Leaper are available and unlimited in number.

On the above photo I added my own toad talismans. One is a mummified pet toad, which I’ve worked with in various ways. It’s not really connected to the ritual described in the book, apart from that it does serve as a talisman. Perhaps one day I’ll share my own working in this regards.

Some toad related artwork of mine:

PS: Tonight it’s having a “black supermoon“. This means the moon is in close proximity to the earth (occuring larger than usual) just that we cannot see it at this time, because it’s positioned right between the sun and the earth. So watch out, perhaps you can see even more darkness than usual on this night.

Edit: I’ve just been told one could read the Golden Toad grimoire at the Museum of Witchcraft. It’s certainly on my list of places to visit…

Original Art by Samuel Araya

12 Feb

11 February 2015

In the mail today, this raven painting by Samuel Araya. If you have been following me, you will remember the interview I did with the man for Teufelskunst. Fate has it, this was my first interview with a visual artist. And in retrospective this interview was more than just that, it helped us both evolve. Fate also had it, the painting arrived on this auspicious date and in an even more auspicious moment. (It’s been a rather sombre day…)I’ve placed it now in my ‘cabinet of obscurities’, where I’m keeping my small yet growing collection of occult books and religious/ritual paraphernalia. Now is just missing my stuffed crow to top it all…

Most fittingly, there was also a postcard included, which reads:

May the wings of the raven carry you

from nigredo to the stone of Gold

– SA. 30.1-15

Keeping it sombre (in a positive sense), here is how my workplace looked until a week ago. You see the crow and raven are ever-present:

Old Workplace, 1.2.2015

I’m changing stuff in my room and workplace since. After this long sick period, which I used however for updating and adding important content to this website (see the additions to the menue), I just want to get started. But not without some actual changes.

PS: Sam now also has a website. To view his work go to http://www.samarayaart.com/

Pillars 1.III – The Ebon Kteis

27 Jan

Pillars 1.III Pillars 1.III

Today arrived my contributor copy of Pillars Journal 1.III, The Ebon Kteis, which contains my very first published essay and where I delve into the concepts and personal motivations behind one of my artworks. The topic is inspired by the many question I keep receiving about the Mandrake and is titled Regina Amandrakina – Exploration of the Image and Strange Idol. So now all those, who asked me questions, receive here 11 pages food for thought (and of course everybody else is welcome to read this as well, because it’s a heart piece and will help you understand how and why I do what I do!) (;

I immediately started reading and, as with the previous Pillars issues, this one has become again a masterpiece of editing and type setting! It’s obvious there was put again a lot of thought into the editing and arrangement of the different contributions. Photos, art and texts by different authors come together and compliment each other seamlessly. Also the line breaks and paragraphs of written contributions are arranged thoughtfully. Besides this the bronze print on the cover compliments the vibe and aura of this tome just perfectly.

“‘The Ebon Kteis’ is a journey back into Darkness; somber in tone than its older siblings and aiming to be more of a visual feast to inspire Minds & spark the Sacred Flame Within.”

But it is not only the visual side that is utterly appealing about this publication. Anathema has specialised in bringing together artists, occultists and lonesome wolves, which, as different and individual each of them may be, share a mutual vision and idea of truth and searching. And there is another interesting aspect that emerges once you skim through the pages. The topic was given, but each contributor works independently and usually there would not be much interaction, yet each piece of art and writing seems to harmonize with the other, as if led and guided by the same spirits. This is the subtle magic of Pillars, which strikes me with each new release.

This issue is the last in the series (though a new volume, with different outfit is planned). There are once again 230 copies available, half of which have already been sold. So better hurry, least you’ll have to spend ten times as much, once the sold out publication ends up on eBay!

Pillars 1.III – The Ebon Kteis | out January 2015 | www.anathemapublishing.com/

 

Die Antwoord, Berlin

26 Jan

23 January 2015

Back from Berlin. I didn’t take a single photo, but we did have a good time. Remember, I was quite sick again beginning of this week. So it was risky, but there was simply no way of missing out on Die Antwoord! The concert had been sold out for weeks, ticket prices sky-rocketed on Ebay. For me it was revisiting some childhood nostalgia, like really childish childhood period, haha! >:-)

So we went. Travel was not particularly smooth, with a broken tire 10 min before arrival but we had enough time. Arriving in Berlin, it was damn cold and windy. Imagine railway stations and an icy wind constantly blowing. It was rather uncomfortable. But therefore we had a really nice place to stay.

On the way to the concert hall we got stuck again due to some demo and police cordoning off part of the area where our train had to pass. In a way it was one of the many instances occurring this week I’d connect to Mercury retrograde…

We arrived 20 min late at Columbiahalle, where people had been gathering outside and were hardly moving forward, even though doors were said to open by 8pm. It took over one hour of freezing in the cold until we finally got inside. The concert hall was full packed with people at the time we entered. And I spent another 20 min in a waiting line until I could finally hand in our jackets at the cloakroom.

Die Antwoord had already entered the stage when I was finally back in the audience. Like all their other German concerts this one had been sold out and the place was really full packed. The show was great though. With each song we could venture forward and by the middle of the concert, had ended up close to the stage. People were jumping around and crowd surfing like crazy. At times the whole crowd was jumping up and down synchronously, even the folks on the balcony. It looked mad. We were waiting for someone to jump or fall down (which didn’t happen.)

Die Antwoord played all their known hits and the show was choreographed in large parts. There was plenty of twerking combined with 90ies style dance moves. The chaotic elements were first and foremost Ninja’s stage diving actions and the audience’s responses. The whole show was a single burst of energy with no particular lows. A climax was certainly “Fok julle naaiers“. On one of the banners was scribbled “Hello Charlie” along with a little devil face, which made us smile.

We were definitely most impressed by Ninja’s rapping. Altogether the show and level of professionalism was greater than I’d expected and certainly worth the ticket and travel. But it was the crowd that made this event really special.

Enter the Ninja” was the scheduled bonus for the night, with a little blond girl entering the stage and performing the choreography from the video alongside Yolandi. They were certainly also making a point with taking a kid on stage, where the main message was “fuck your rules”. Die Antwoord are in a way children themselves, or addressing the child within with their music. Which is totally okay. It made us feel like 16 ourselves (or even younger, haha). And I was crazy enough to spend 40 bucks on a tour shirt (the last in size S). Usually I wouldn’t do this (and even less can I afford it), but this shirt is now a reminder of that child within – and also it does look pretty zef. >:)

Besides, the day after we visited the Berlin museum of natural history. The museum has some of the biggest known dinosaur skeletons on display, which was another reminder of a childhood fascination of mine (for a while I had my walls plastered with dino posters). But there were tons of other awesome things, like thousands of stuffed animals and specimen preserved in glass jars… the room with the jars was tangibly colder and in the dim light all the glasses, with pale serpentine and coiling fish specimen piled up to the ceiling, reminded of some freakish Frankenstein horror cabinet.

Still in awe we spent the evening with our lovely host until taking the bus back to Dresden. I slept like a stone and there were certainly some of the experiences from these days entering my dreams…

Today we took it easy and went for a walk to a nearby castle. There was moss all over, and strange masks carved in stone… it’s that type of old, abandoned building that makes for a perfect horror movie setting. I wonder what it would be like to live there…

But it’s late and I must end this brief written summary. No photos this time, you’ll have to use your imagination…

Auferstehungskirche

9 Jan

We spent this New Year’s in a small church in Dresden Plauen. It’s been my dream to see this church from the inside for years. I was told it had a beautiful art nouveau interior but little could I know… The history of this church dates back to the 12th century. There are still Gothic and Baroque elements to be found. E.g. the baptismal font and crucifix over the lectern date back to the 17th century. The main building is however a unique example of Art Nouveau architecture. It was built at the beginning of the 20th century under architects Lossow and Viehweger. The church, which was formerly known as Michaeliskirche, was then renamed and is since called Auferstehungskirche. Angel faces all around the quire remind of the church’s former name. Apart from the windows and church bells the building was not damaged during WWII. On the 1st of July 1945 the Dresdner Kreuzchor gave here their first concert after the war. During the 50ies the stucco of the entire choir was removed and the windows bricked up. In 1985 a new organ was installed behind the front of the old organ. After 1989 the windows around the choir were re-opened and the walls painted new. The altar room also received new windows, which were designed by artist Wolfgang Korn (Dresden). Lastly the tower and roof were restored. Today the church counts amongst the most beautiful churches of Dresden. The wooden art nouveau elements are indeed a special treat and remind of the wood carvings found in stave churches. I do in fact not know any other church that would show a similar, almost cinematic architecture, which came to life even more, when the organ started playing…

New Year’s 2015

5 Jan

IMG_0129+

I spent my New Year’s in a church and I liked it.

I’m from Dresden. That’s the town famous for its late baroque pomp and for being bombed to ashes at the very end of WWII. It’s also known as “Tal der Ahnungslosen” due to the geographical location, which made it difficult to receive tv from Western Germany during GDR times. It is also known for people protesting peacefully on the streets, which eventually lead to the events that brought down the Wall. In 1989 the motto “Wir sind das Volk” was used because people yearned for more freedom, equality and unity. It was motivated by positive ideals and hope. 25 years later people are protesting again on Dresden’s streets. They are using the same motto, but the motivation is a different one. People are now driven by fear, frustration and hatred. Interviews with single participants of these “silent protest marches” show how diverse the motifs are. Social injustice ranks high, amongst fears of being outnumbered, underprivileged. People are troubled with various problems. The actual motto of these demonstrations occurs almost secondary to the participants, but it is this motto, which is now being perceived world-wide: “against the Islamification of the Christian Western civilisation”. The main motif, which is carried forth on banners and in news headlines is xenophobia. The individual motivations of the people do not make the headlines.

In other countries people protest for freedom, justice and a better education. The message is clear and unequivocal.

In Germany people are apparently unable to formulate their actual concerns or they feel not taken serious if they do. Instead people now march under the banner of “PEGIDA”. It is a motto that the biggest number of the participants of these protests does not support. Yet they decide to follow it for whatever reason. The message on that banner is clear and there is no way of trying to relativize it. This is tragic and we have seen before where such passive followership can lead.

I truly hope that most of the people participating in these protest will come to senses and choose the right language for their goals. Preserving our values is indeed something to stand up for. But it is even better done by contributing one’s part and being a good example, whether you’re an artist, architect, dental technician, engineer, gardener, hair stylist, waiter/waitress, university professor or unemployed. It starts with yourself and good manners. It continues with being nice to others.

So what did I do this New Year’s? I was in fact still sick with tonsillitis and had been on antibiotics since the weekend. I felt weak and in a situation where help, love and comfort are needed. I’m extremely grateful to have two loving parents and friends that care for me in such situations. I’m grateful there was a doctor on Saturday morning to have checked me and prescribed the necessary medication. I’m grateful also, to have spirits to call upon and pray to in such a situation.

I do in fcat believe in god and a higher cause. I am interested in the essence behind the religious forms of all sorts of traditions, which are a continuous inspiration in my art. I take from all places and I pick out the best for myself. I feel this is the natural way to do in life.

We (that is my parents and me) spent this New Year’s in a small church in Dresden Plauen. This in itself felt like a little miracle and it would have sounded like an impossibility if you would have told me a few weeks ago. But this is another story and here we were. It’s been my dream to see this church from the inside for years. And little could I know of how beautiful its art nouveau interior really was…

The pastor made a very short speech, welcoming the guests, introducing the organist, Andreas Jud, a young, award-winning musician from Switzerland, and then wished us all a Happy New Year. The rest of the evening was music. No talk, no politics, no agendas. Just the organ in full blast, the organist giving his very best. And every attendant was left to his own thoughts and contemplations.

With this in mind I wish all my followers and friends all the best for 2015.

(more photos of the church to follow in my next post)