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Berlin, January 14 2018

17 Jan

Berlin, January 14 2018

This has been pointed out to me by an acquaintance from Berlin, and now I went there to see it myself.

No, I don’t do street art. Someone copied my Harvest sigil and combined it with a raven motif. I reckon the raven may be copied as well. I was surprised about the dimension. It seems to be glued unto the door rather than painted directly on it. It is signed “Pyramid Oracle”. They obviously put some work into this project and I admit it turned out nicely. I have to accept that others will continue to copy my work. It contributes to my work and ideas gaining broader impact. I doubt though, the person, who made this, has an idea of who I am or the concept behind the sigil. They probably don’t understand fully the spiritual consequences either. It’s not my business. Rest assured though, if I see you attempting to draw profit or recognition from copying my designs, I will hunt you.

X.

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Circle 1 “Bad Intentions” – Impressions from the Exhibition Opening and a few Words on the Works

25 Nov

“Bad Intentions” Exhibition Opening @ Circle 1, Berlin

The candles have been lit, the incense has been burnt; my work now vibrates in the rooms of gallery Circle 1 until December 23rd. What started as a vague idea of creating artwork for a list of magical plants, has years later finally taken shape. Now was the point when everything fell into place naturally. It was preceded by searching and researching, trial and error, sowing, growing, loss and gain in the very basic and earth-bound occupation as a gardener and harvester. The first hand study of the actual plants laid the foundation, my rediscovered love for ink became the tool for manifesting my visions.

The installation is hence titled “Harvest” and consists of an earthen altar with dried plants and harvest related offerings: self baked bread, honey from the neighborhood and self-made beeswax candles. The souls and spirits that were contained in the once alive, now dead corpora of the plants, find a new house in the form of fetishistic ink drawings: the “Sigilla Magica” series.

With these new forms I also find an own language, which aims to both entertain and communicate memes to the viewer. 12 ink drawings reference 11 magical plants as well as the ‘queen bee’ – “Regina Bombina” – governing the vital interaction between plants and pollinators. In addition, 2 anthropomorphic drawings depict the Aconite and Mandragora in half-human form, as the armed and poison-dart struck “Wolf Shaman” and beheaded and re-headed “Regina Amandrakina” with her freakish offspring. Lastly, 2 botanical studies of the roots of the Aconite and Mandragora are meant to act as a bridge between abstraction and realism and honor the individual and fascinating shape of each in detail.

Some of the works:

 

Impressions from the vernissage:

Thanks to all involved!

17.11.-23.12.2017 – Bad Intentions,
a group exhibition curated by Avi Pitchon and Alona Harpaz

Opening times:
Thursday – Saturday
12:00-18:00

CIRCLE1 Gallery
Mittenwalder Stra­ße 47
10961 Berlin

Samhain Celebration II

4 Nov

Carved horse skull by Kvlt&Knochen, featuring the Samhain Harvest Seal

One week ago I took part in the second Samhain Celebration, hosted by the House of Inkantation, at The Londoner in Gotha. I attended bleary-eyed yet exited. I had worked until the very last minute on the artworks and merch, which included ink drawings of my sigilla magica, samples and glass jars with my self-made incense blends, the last Teufelskunst rosaries, postcards and the original art I had done for German doom band Werian.

The House of Inkantation folks prepared again a unique stage design, which was crowned by a horse skull, into which G. Bergfex of Kvlt&Knochen had carved and imbued with blood the official Samhain Harvest Seal. On the stage performed Rim Runa, Werian, Forndom, Sun of the Sleepless and Malokarpathan. Another special treat were the dedicated wooden boxes pyrographed by C. & M. Falkenstein.

Dedicated box with VIP pass and leather amulet, pyrographed by House of Inkantation

My company, the photographer Anne Ida Helmer, has set herself the goal to document me – by all means not an easy task. But I was glad to have her around. We spend the whole weekend in Gotha, touching base and forging future plans. It was nice to finally meet some of the people in person, whom I had done artwork for, and to get to know new faces. I was overwhelmed by the support and interest in my work. This made me forget the sacrifices of the past weeks. It was also refreshing to get to witness new music, bands I had and had not heard of before. I come out of this gathering with new art commissions, possible participation in new events and more.

Thanks to all involved, who made this year’s celebration of the end of summer a success beyond expectations. Thanks in particular to the House of Inkantation/Eisenwald, Mosaic, Werian, Photos of Kaos, Kvlt&Knochen and friends from Austria and Switzerland, the rest of the merch team, Forndom and Anne.

Below some impressions…

Art Crossing: Werian performing on the Samhain stage in Gotha, with art by me and House of Inkantation

Werian, Teufelskunst Wolfsbane sigil used on stage

“Wolf Shaman” artwork, done exclusively for the band Werian, accompanies their stage rituals

Werian, upcoming album Lunar Cult Society is available for pre-order

Sun of the Sleepless, intense performance

Inkantator K. performing with Sun of the Sleepless

For more visit my occult art website and shop at www.teufelskunst.com

Besides, Samhain Celebration III is already taking shape. Pre-sale tickets are strictly limited to 200.

New Artwork and Music

4 Aug

Spent the night and all morning preparing new pieces of paper with coffee, wormwood tincture and fresh leaves from my datura plants. Now the paper is drying, then has to be pressed and then can be drawn on with ink. I am planning on a small series of inked sigils and perhaps one or two realistic datura plant drawings. Besides this, I yet have to prepare the paper for my next mandrake series and I also have a few new tinctures in the making. Meanwhile, here are my most recent ink drawings from past weeks (all sold and shipped):

While working with the datura I was blessed with new music by a lady, who creates audio-visual compositions inspired by the same plants that I grow and revere in my art. The project goes by the name CHTHONIA. I was given six tracks, to which I did not listen consciously, but rather had them running in the background. Yet there were moments, where I’d listen up and think, “well, this strangely harmonizes with how I perceive the plant’s character”. A very interesting experiment and endeavor, of which I hope we will soon hear more.

Pale Glow

8 Apr

April nightfall – chill, raindrops on pale petals of daffodils and tulips, roses

The garden after dark, all the myths…

In antiquity a marriage outside one’s social class would bring shame over the family. Abductions were staged to justify such liaison.(1) Against this background the story of the abduction of Persephone appears in a new light. It enabled her to be part of and live in two worlds, which were otherwise closed away from each other. She maintained the privileges of the world of the living, but also dined with the dead in the underworld and was let into its secrets. According to legend she picked daffodils when Hades ‘abducted’ her to the underworld. Her story remains fascinating, her flowers remind us of it.

Martin Luther too staged his abduction. Believed to be dead by his foes, he used the time ‘in the dark’ to translate the bible from original sources into German language (with a little help from his friends), one of the most significant cultural contributions of mankind. His signature flower became the rose. (2)

(1) Harold Roth, The Witching Herbs, p. 48 “Kidnapped Brides

(2) The Luther seal or Luther rose is a widely recognized symbol for Lutheranism: https://en.wikipedia.org/wiki/Luther_rose

Besides…

I watched lots of docus on Arte +7. Yes, the one about the comet (so amazing) and the series on space time and matter. About the chief and the forests. Also earlier about the super plants. And now I am hung up on the magic garden series… eg this one about the garden as a place of initiation:  http://www.arte.tv/guide/de/057898-003-A/magische-garten

Wooden Seed Boxes #27-30

11 Mar


Seed boxes #27-30, completed

The boxes contain seeds from at least 44 different venific and benific ‘witch’ herbs. The boxes are pyrographed with the “sigilum major” or “greater sowing seal”, stained and varnished. Then hundreds of little paper bags are labeled and filled with the seeds, which I partly gather by myself and partly purchase from other places. I usually spend at least 40 hours on four of these boxes. It is a tedious but also rewarding process, which gives me the chance to connect deeper with the herbs and it also empties the mind and brings new inspiration. It is my hope that the content of these boxes will bring joy to others and aid them in their own studies.

Update: the boxes are sold. Please write to me at info@teufelskunst.com if you wish to reserve one in the future!

Harvest Seal (or making sure, you reap what you sow)

26 Feb
Reaping Seal

Original “Harvest Seal”, 2011

I am writing this due to recent events. I thought this was yesterday’s news, but apparently it isn’t. So once again:

The above design is my work.

It has been spreading on the internet, which is great.

What is not so great is, that it continues to be mistaken for being in the “public domain” (it isn’t). E.g. it has happened repeatedly that people used it for promoting their events, printed it on t-shirts and other types of merchandise, without knowing that the original design was by me and without awareness of the original context and purpose for which I designed it.

To shed some light (and hopefully to prevent future abuse and misuse), I explain here the concept behind the image and why it would be not particularly smart to employ it out of context.

I created the sigil in 2011 with ink and initially titled it “reaping seal”. I designed it for myself, as I was looking for a suitable sigil to burn on my altar table. It is pyrographed in the center, along with other esoteric glyphs and illustrative elements (the usual “satanic” suspects, serpents, pentagram etc.). Here are some photos of the table with different powerful herbs placed on it (some harvested by myself, others sent to me by fellow practitioners):

My other sigil designs are inspired by my study of and practical work with traditional “witch herbs”. But before that I had been illustrating occult books, where my job was mainly to execute other’s ideas and visions. I literally “inked” hundreds of sigils from another author and this way became familiar with current specific symbolism and its peculiarities. I understood that in order to develop artistically I would have to come up with my own designs, also in my personal ritual work, rather than replicate another’s. This posed a challenge since the illustration job had inevitably left a trace on me and I was stuck in its forms.

The then so-called “reaping seal” serves as an example for a transition period, both in my art as well as ritual work.

The design plays with harvest symbolism, with sickles and quarters (connected to the four seasons, the four elements and returning cycles). It carries obvious references to the aforementioned occult forms employed within said books. (I do not name the book titles here, not because I do not want to give credit, but because the magi of said current do not like to see official links made between real names and their esoteric teachings, which is a rule I generally respect, but which was also the reason why I had to start creating my own designs if I wanted to get more jobs as an artist).

It should be clear now why (due to the aforementioned influence) it would not be smart to use the seal out of context. I uploaded the digital image to my Pinterest account years ago (I do not remember when exactly I pinned it there and Pinterest does not provide such information). I also uploaded (and later deleted) the image to my occult art page on Facebook, as well as a photo of the pyrographed altar table. I changed the title to “harvest seal”, which does not sound as grim.

I always note in the comments that I am the creator of the work and do not wish for my work to be used without permission. Most of the time people respect this wish. But apparently sharing a work on online platforms such as Pinterest means that some people consider it free to use as they please: from changing or deleting the original artist comment, to downloading and re-uploading, this way erasing all traces of the original source. Low resolutions seem to be no obstacle either these days, because there is software capable of vectorizing the smallest images. Due to this (and because the sigil seems to be really popular with esoteric online folks) it has sadly become one of my most stolen artworks. From witches printing it on their products to bands using it on their merchandise or for advertising events – it has happened and continues to happen. Once some band even claimed old illustration work of mine as their “graphic designer’s own creation”. But even individuals that bother doing a check-up and search the original artist behind artwork they find online and would like to use, end up being fooled. The question is not so much, who is to blame, but what to do about it.

No longer uploading my work online cannot be the way. Marking all works with bold ugly watermarks cannot be the way either (especially if the work is already a mark of sorts on its own). Putting a lawyer in charge – sorry, but I don’t make that much money. Contacting google – I have been told this would be the most efficient way, alas I may need help there by someone, who has already been through the process and could guide my step by step.

I am hence thankful that my followers are keeping an eye out and bring art theft to my attention. I am also thankful for everyone that reacts positive and respects my copyright. As it happens to be, once the connection is made, I sometimes end up with new illustration jobs. An example is the altered “harvest seal” I created specifically for the “Samhain Celebration” in Gotha:

"Samhain Celebration" merch bundle, Nov. 2016

“Samhain Celebration” merch bundle, Nov. 2016

With my consent and being compensated, the organizer was welcome to use the design on all merchandise sold on that evening and it was also painted on the backdrop used only on that night:

"Samhain Celebration" Gotha, 2016

“Samhain Celebration” Gotha, 2016

Earlier, I made my own set up with the seal, employing it in the blessing of my seed boxes before they were shipped to customers:

Harvest Blessing, 2016

Harvest Blessing, 2016

In this ritual I constructed the seal with dried plant parts strewn on soil – a meditative and joyful work. I used vervain (Eisenkraut) for the sickle blades and fennel stalks for the sickle handles. The center circle is strewn with aromatic fennel seed.  The symbols for the four elements are made out of corresponding herbs: fire – wormwood (Wermut), water – belladonna (Tollkirsche), earth – mugwort (Beifuß) and air – bittersweet nightshade (Bittersüßer Nachtschatten). The forked stang in the center is a dried thorn-apple stem. The triangle at the base (representing the “fifth” element – spirit) is made from dried thorn-apple leaves and seeds. The wooden boxes placed inside the four sickle blades are my “seed boxes”, which are pyrographed by hand and filled with seeds from different witch herbs – many of which are gathered by myself and then filled into little bags to be contained in these boxes, which are then shipped to fellow practitioners for sowing in their own witch garden.

To quote much admired fellow artist, Harold Roth, I am “working my butt off” on these boxes. And in the same way I am putting a lot of thought and work into all other art I do, and of course I wish to share this work with the whole wide world.

So all I can hope for is, that awareness will grow and that more people know about me and my work, respect it and not trying to take advantage.