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Viridis Genii Symposium 2022

17 Oct

I am honored to have been invited to this year’s Viridis Genii Symposium as a presenter and workshop host! The virtual event took place September 23rd – 25th 2022. I am glad we made it work despite the 9 hour time difference. I shared nearly all my knowledge on plants and creating art with them and introduced my way of combining ritual magic with phytography. It was wonderful to receive such positive feedback both on my presentation and workshop.

The publication accompanying the annual event features also my essay on Phytography (introducing the term), my encounter with the guardian of the witch hazel and two illustrations by me. The book can be ordered here: https://viridisgenii.com/product/viridis-genii-series-7-vol-2/

Creating Magical Images of Plants – Combining Phytography and Ritual Magic

1 hour lecture + 3 hour workshop included the following topics:

  • methods of ritual magic, sympathetic magic and planetary magic
  • indepth information on plant pigments
  • short history of nature printing
  • alternative photography processes feat. work by Malin Fabbri and Kristina Feldhammer
  • Datura wrightii flower at Pinwheel Cave California
  • examples of phytographs created with coffee and plants
  • workshop guides through the ritual creation of your own magical plant paper talismans
  • question & answer on anything plant/ritual related

Workshop materials provided to attendents include:

  • ritually harvested, pressed flowers and plants
  • absorbent paper
  • signed print of the witch hazel seal

Phytographs created during the 3 hour Workshop:

  1. Magnolia, hour of Venus
  2. Fennel, hour of Mercury
  3. California Poppy, hour of Mercury + Moon
  4. Blue Lotus, hour of Moon
  5. Witch Hazel, hour of Saturn

My gratitude goes to the organizers Catamara and Marcus as well as the team of people that made it all possible, especially Kim, Katrink and Prof. Porterfield. Huge thanks also to the people that attended and took part in the workshops, especially David!

I am looking forward to the next point in time when the portals open for communing with the genii of the plant kingdom.

New Sigilla Magica and Plant Papers

8 Mar

In 2021 I reworked some designs in my Sigilla Magica series. I also continued experimenting with applying plants unto paper, by placing whole plant parts on the paper and then soaking everything in coffee and plant extracts. See videos of the process on my instagram. In a final step, the new sigils were drawn with india ink on the papers. The new series was done with Black Henbane, Deadly Nightshade and High John the Conqueror root. I created three pieces of each. I am proud to say that one edition is now in the hands of a collector in Bavaria and the second one has recently been purchased by photographer and friend Cyril Helnwein in Ireland. Thanks guys for supporting my art!

If you are interested in publishing my work or wish to purchase originals, please e-mail me at contact[@]wiebkerost.com

Plant Negatives, 2021: Aconitum napellus, Circaea lutetiana, Hyoscyamus niger

Winter Solstice 2019

22 Dec

The fruits of mutual work, old and new alliances…

In December 2019, I finished fresh batches of “Rauhnächte” and “Winter Solstice” incense and started a new round of working with the birch’s arboreal spirit… Besides this, incense master Caroline Maxelon of Bussardflug and me began plotting a collaboration for 2020. Kicking it off, she sent me – along with a lot of powerful shamanic items for my ritual work – also her new book “Räucherstoffe aus aller Welt” (published by Nymphenburger). I was thrilled to read about so many new incense ingredients, that are not part of standard encyclopedias and which I had been discovering intuitively by myself over the past years. It feels, like my own wicked work and ‘wild’ incense formulas are now receiving confirmation and legitimization through Caroline and Christine Fuchs, who are icons and leaders in the field here in Germany. I thus highly recommend this book – both for its factual content as well as its photography.

Yesterday I received another surprise in my mail – the special edition of “Secret Ambrosian Fire” by German black metal originators MOSAIC (Eisenton Records). I was asked to compose an alchemical inspired plant sigil for this record, which now adorns the cover of the digi-pack edition. Only now, I begin to grasp the idea behind this conceptual opus magnum and it is deeply satisfying to witness the fruits of our mutual efforts!

Everything points in to a new direction in my life, but it is also getting more complex, along with all these new impulses. Today I thus went to different trees, burnt some of the winter incense and blessed the new birch wood pentacle, among a circle of young birch trees, as well as at the roots of two older birch trees, which are frequently visited by crows… For me, thus the circle of the old year closed and I can now head into another phase of consolidation and start creative work again after the holidays.

 

Raven King

28 Nov

Years ago I began creating abstract line drawings, or ‘sigils’, inspired by nature. In these works I summarize nature science, folklore and personal experiences connected to the plants and animals that surround me. Some of these works are already 10 years old. The best known is perhaps the official Teufelskunst logo, which is inspired by the wormwood herb. Another is my sigil for the ‘black mandrake’ and the metamorphous art titled “Regina Amandrakina”, which were both published in Pillars Periodical, The Ebon Kteis (Anathema Publishing, Canada, 2014).

A first print edition of these works was introduced at the London “magical Art/E” event, which took place in 2014 at the old Hackney tower. Later (still self-produced) print editions sold out quickly. In follow, I created smaller ink drawings and miniature editions with these sigils. An important aspect of these drawings is the treatment of the paper, which is infused with tinctures and corresponding extracts of natural materials. In November 2017, these ink drawings premiered as part of the “Bad Intentions” group exhibition at Gallery CIRCLE1, Berlin.

“Raven King” Sigil

This is my second work in this line representing an ‘animal’ spirit. It combines mythology and spiritual lore connected to the Corvidae family.

Ravens and crows both feature extensively in the mythology and folklore of basically all continents and nations. I cannot remember when exactly my own journey with these animals started. But they continue to present me with the most auspicious magic and moments, whenever I open up and notice their ever-presence. Hence, when a friend inquired for a crow skull tattoo, I already felt a deep connection to the animal’s collective spirit. But then began a reading and study journey, for which I received some wonderful recommendations. The sigil art presented here is the quintessence of my autumnal journey with the crows, ravens, magpies, jackdaws and grosbeaks around me and their universal lore.

In November 2019 I created the first ink drawings on infused paper. The sigils are signed and numbered on the back. They come in a black cardboard box, which is also signed and numbered. Along with the artwork you also receive a 30 ml bag of evocation incense, created specifically for the King of all Corvid Folk, as well as one piece of cherry resin and one auspiciously branched “Pin of Slumber” from the blackthorn.

Artwork size: ca. 12,5 x 12,5 cm

Edition specifics: limited to 2 x 7

Available here

 

Walpurgisnacht 2019

3 May

Having spent past Walpurgis nights in relative solitude for over a decade, the stars aligned now in such way, that this year I was invited to spend it together with fellow photographer and occultista Anna Krajewski. Above are a few impressions of our little sabbath, as we explored a chapel built in follow to the execution of the region’s last witch, and ventured on through the forest, as the blue hour began. Finally we came to sit among tree roots descending towards a lake, in the company of myriads of bats and various waterfowl, a swan and last but not least a grey heron, sliding elegantly across the water’s mirroring surface…

Camellia Flower Tincture

6 Apr

Friday evening is tincture time

Samhain Celebration III

2 Nov

An Evening of Dark Art and Music (originally posted on teufelskunst.com)

The third Samhain Celebration combined again some of the best black metal as well as exclusive hand-made art. Ybenhain offered resin jewelry and items made of forest finds. You can check out the creations at the Ybenhain Instagram. In contrast, Black Arts of Mine creates all things from metal and bone. He contributed etched copper pendants and pins with the Samhain Harvest Seal for the event. Noteworthy,  the precision work on a copper hendecagram (see below). Weird, the metal chest with a fly engraving, housing a steel cased vial filled with a dozen dead flies. For more please visit the Black Arts of Mine Instagram. I myself contributed new art editions as well as an ever growing assortment of incense blends.

A reason for people to travel as far as from the States were the bands. I was able to take a few snapshots of Turia, and the Mosaic feat. Schwadorf set as well as Fyrnask.

Signature feature and fundament for the evening’s special atmosphere, always appreciated by the audience, is the unique stage, annually adorned with reeds, ivy, chestnut garlands, corn dolls, carved skulls and this year’s corn sun. Connecting it all since three years is the Seal of the Harvest in the back, which I once designed for the event.

The Samhain Celebration in Gotha is one of those rare occasions where I can show presence with my art and meet like-minded people. It is a unique combination of art, tradition, music and spirit, which both is highly satisfying for the performers as well as the audience. Making it all possible are the people of The House of Inkantation, Eisenwald and a handful of helpers.

Samhain, Halloween, Day of the Dead

1 Nov

“End of Summer”

Samhain means “end of summer”. The Gaelic festival marked the end of the harvest season and the beginning of winter. Today it is celebrated on the night between October 31st – November 1st. It is also associated with St. Martin’s day, November 11th. Some also connect it with the midpoint between the autumn equinox and the winter solstice (or the nearest full moon), when the ecliptic longitude of the Sun reaches 225 degrees.

Samain is also the name of the Celtic god of death, who from this point on ruled over the land, while the goddess of vegetation was forced to decent into darkness until the coming spring. Her parting is accompanied by the honk of the geese leaving for the South. Any herb harvested after this point would be considered harmful, save for the grey mugwort. During Samhain the doors to the spirit-/ underworld opened, and the spirits that would enter, were not always friendly. In some tales, spirits of darkness and chaos (such as the Irish Fomorians and the Crom Cruach) would be given human sacrifices.

Rural people’s survival depended on the harvest. The fear of loosing the harvest, fierce autumn storms, the long nights etc. was real. It was essential to secure the harvest and protect the home, barn and family. It was custom to cleanse and protect the home by burning herbs. Processions and rituals were performed to ward off revenants – or Wiedergänger – the returning spirits of the restless dead.

From the need to protect oneself may also have sprung the latter-day custom of placing candles in hollowed out objects. Turnips or pumpkins were turned into grimacing lanterns. Similar to the scarecrow, the lantern was to ward off ‘evil’ and at the same time its flame lit up the night. This “light in the dark” is embodied by amber, a shiny yellow  fossilized tree resin. Amber is called Bernstein in German, from Low German börnen, meaning “to burn”. The Greeks knew it as ḗlektron, from ēléktōr, meaning “shining sun”.

Samhain also marks the time when deciduous trees have shed most of their leaves. The leaves fall to the ground, decay and nurture the cycle of life. Burning their wood keeps men warm, their bark heals. Evergreen conifers deliver in addition aromatic resins with cleansing and healing properties.

“Day of the Dead”

The pagan festivities surrounding Samhain have been substituted by Christian feast days throughout a large part of the Western world. Folkloric customs continue to merge with modern consumerism. From the pagan Samhain to the Christian All Saints day, the modern world celebrates “Halloween” with plastic skulls, led pumpkins and dressing up as corpses. Everyone can be a zombie for one day or night. Halloween gives a good example for cultural appropriation gone wild. It is part of human nature, both to adopt other traditions as well as to defend one’s own culture and rituals.

One tradition that has been sinking into Western culture and heavily influences our aesthetics, is the Mexican Dia de los Muertos. As the festival in Mexico becomes bigger and is celebrated in impressive ways every year, so grows the fascination with it outside of Mexico, similar to how the cult of Santissima Muerte is growing in numbers both in and outside Mexico. The worship of death and the dead is prospering and it is nothing extraordinary.

All over the world people venerate their ancestors and saints, with altars at home, at their graves or in temples or chapels dedicated to them. Often there are special festivals dedicated to the veneration of the dead. In some countries these celebrations fall in the months of July and August, such as the Japanese Obon or the Argentinian feast for San la Muerte. In other countries they center around the days and nights spanning from All Hallow’s Eve (October 31st) to All Saints (November 1st) and All Souls Day (November 2nd).

In Germany it is custom to visit and adorn the graves of family members on the Totensonntag (the “Sunday of the Dead”). It falls on the last Sunday before the first Advent (usually at end of November) and, though of Protestant origin, is a protected holiday in all of Germany. The day is meant to be spent in silence and it is forbidden to dance or play loud music in public.

In Mexico the celebration starts on All Hallow’s Eve, when children make altars for the angelitos (the souls of dead children). November 1st is referred to as Día de los Inocentes (“Day of the Innocents”) or Día de los Angelitos (“Day of the Little Angels”), which is when the souls of dead children are honored. On November 2nd, the actual Dia de los Muertos, the graves of dead family members are visited. The graves are adorned with cempasuchil flowers, the flowers of the dead. Between the orange sea of flowers, candles are lit and Muertos (the bread of the dead) and sugar skulls are placed as offerings, along with favorite food, beverages, photos etc. The dead are greeted and welcomed back to the world of the living for one day and night. Dancing and intoxication are welcome and encouraged.

Finally within some antinomian and Gnostic traditions Lucifer or the “Bringer of Light” is worshiped and called upon during this night, e.g. by using the formula:

Lucifer, Ouyar, Chameron, Aliseon, Mandousin, Premy, Oriet, Naydrus, Esmony, Eparinesont, Estiot, Dumosson, Danochar, Casmiel, Hayras, Fabelleronthu, Sodirno, Peatham, come, Lucifer. Amen.

Dog Days 2018

9 Aug

This week we had again another “hottest day of the year”. Since June, most of Europe experiences a near ceaseless heat and drought period. These hot days of summer are also referred to as “Dog Days” (Hundstage) and this year they live up to their name.

The Greek called them kynádes hēmérai, Romans adopted it, calling them dies caniculares. Historically the period began with the heliacal rising of the dog star Sirius (actually a star system) in the Northern Hemisphere, which Greek and Roman astrology connected with heat, drought, sudden thunderstorms, lethargy, fever, mad dogs, and bad luck, while to the Polynesians in the Southern Hemisphere the star marked winter and was an important reference for their navigation around the Pacific Ocean.

For my “Dog Days” incense I took inspiration from the paralyzing and deadly weather phenomenon.

The formula has been updated, with field eryngo (Eryngium campestre) being added to the baneful blend. In German language this type of thistle is also referred to as “Unruh” and “Elend” and the occurrence of clusters of broken off stems, similar to spiky tumbleweed carried forth by the wind, are named “Steppenhexen”. This stingy plant is almost impossible to touch or harvest without hurting yourself. Yet, and despite the heat and drought, it is frequented by dozens of bumblebees and other pollinators.

Beside obvious herbal references to the the dog/wolf totem, such as wolfsbane and mandrake, the incense contains also black and white henbane, which have been used in prophecy, baneful spells but also for rain magic. I burnt a good amount of it on this day, both to cleanse and bless a dog skull I found at the flea market, as well as to call for rain and cooling. It may have been simply good timing, but rain came the following morning.

I am often asked about side effects and dangers of burning venific incense blends – I can only speak for myself, I did not notice anything, apart from feeling more focused and empowered. I also sensed a relaxing effect on myself. A slight dizziness I attest to the burning sun and heat, not to the herbs.

Luckily, the worst heat seems to be over now and I look forward to enjoying the end of summer and working on art.

Plants and Planets

13 Jul

In the past botanists such as Nicholas Culpeper associated plants with the planets, fixed stars and zodiac signs. The attributions were based on an intense study of a plant’s features, which included treats such as a thorny or prickly appearance, the scent emitted by the flowers or the entire plant, the plant’s life cycle, colors, metals contained in a plant, medicinal and other uses and of course plenty of folklore. Today plants are classified scientifically based on their genome, but their planetary lore is preserved and continues to evolve in the books of authors such as Stephen Skinner, Paul Huson, Scott Cunningham, Harold Roth and so on.

I find it fun and inspiring to continue this tradition and to explore its own inner logic. And since I spent the past 3 weeks gardening, I took to it and photographed the recent herb harvest according to the planets. The following series follows the Chaldean sequence. Photos by myself. Please share and credit.

Please visit my garden blog for further info on plants and their planetary correspondences: https://pflanzenkunst.wordpress.com/planetary-correspondences/