First, fluctuating impressions for 2020… later we went to see “Motherless Brooklyn” at one of the Filmkunstkinos here in Düsseldorf. I like films, where one can actually focus on the characters and remember the story afterwards. This was such a film. Edward Norton is a little genius.
Isa
2 Jan- Isa
- Isa II
With the new year came the first lasting snow and in my mail arrived five little cat’s eye cabochons… I have been asked to do a runic incense for Isa and began gathering corresponding ingredients:
The rune Isa is written with a single straight vertical line. Its meaning is “ice”. Its associated tree and herb is the black alder and henbane, color black and stone is the cats eye (cymophane). Cats eye cabochons break the light in such manner that a single bright line appears across the stone. One could say the rune Isa is literally marked on it. (The effect is stronger under a light bulb or other single light source.) In Asia it is considered a magical stone that shows the direction to hidden and forgotten treasures. The stone comes in colors ranging from honey yellow to green to a dirty blue or gray. A special form is the Alexandrite, which changes color from blueish green to a deep blood red. I like the blueish gray versions best in this context, as these are also the colors of ice and winter.
Isa seemingly represents stillstand. It marks a time when to formulate dreams and vision and choose a direction. It calls for patience and contemplation, but not laziness. Now have to be done preparations and laid down the foundation for a future harvest.
Schnee von gestern
24 JanI took the photos yesterday, fascinated by the contrasts and white spaces that function as a visual divider in the compositions of the images. Some people are afraid of empty spaces. In visual art, horror vacui (from Latin “fear of empty space”), also kenophobia, (from Greek “fear of the empty”), is the filling of the entire surface of a space or an artwork with detail. (see https://en.wikipedia.org/wiki/Horror_vacui)
I am thankful for any gap, any empty space. The white of the snow has a calming, purifying effect on me. Sadly it’s already gone. Literal snows of yesteryear.
Winter Walk: Sacred Thorn Grove, January’s Mysteries and the Bloody Tears of the Cherry Tree Sisters
14 JanSteady-paced I walk up the hill. The air is pleasantly cold. It clears the mind and disperses my headache. I am not freezing. The road I’m walking up is called Am Kirschberg, literally meaning “by the cherry mountain”. The field to the left is covered with a thin layer of snow. The dark frozen soil is sticking out of the white. Ploughing traces create zen like, eye-dazzling patterns. At the end of the long stretched field the view is clearing up towards town. Over the horizon line a narrow golden band illuminates the sky. Above me are grey clouds. I am planning on a short walk, but my legs carry me in a different direction…
Atop a stone wall by the castle, I find the wormwood has not entirely fallen victim to the frost. Next to fading foliage, fresh silvery green leaves are sprouting forth. I gather a few of them, enough for a small winter herb bundle to hang up at home. When dried, it will empower necromantic incense blends. Looking across the river valley, remnants of snow are showing between leafless trees and dark rocks. The sky is an eyeful and I would enjoy the silence, if it wasn’t for cars flashing past on a mint-green autobahn bridge.
The Thorn Grove in Winter
The way down is frozen over and I hold onto the rusty handrail in order to not slip and fall. People coming my way do not greet me and I do not greet them either. Halfway down the hill, I arrive at the thorn grove. The path up there leads through leafless hawthorn trees growing in all directions. A jay sitting in the branches looks at me but does not fly off. Cautiously I venture on. The ground is muddy and slippery. Most of the snow at this side of the hill has melted. By the rocks I find another wormwood plant and spot a bird’s nest near where the jay had been. I am looking around, breathing the fresh winter air, trying to focus my myopic eyes on the distance. I think of none. It is a good place for the soul.
Above, the hawthorn thicket is overgrown by raspberry and wild rose. To the right there are young blackthorn shrubs. Their thorns are long and sharp. The young twigs are flexible and make the best thorn-crowns. Further uphill, there is another areal of high-grown hawthorn trees, partly covered in ivy. It’s bordering at a property and the allotment gardens are close. One is likely to meet passersby here. But a magician knows to use the gaps and at night the place is dead silent. Today, however, I am only a passerby myself.
A Thin White Veil upon the Field
I’m on my way home, stopping now and then, intrigued by the formations of clouds and the golden light of the sun further afar. A skein of geese is on its way southwards. Passing by wild cherry trees lining the field, I search their stems for resin and at last find a group of three tall and slender trees, the base dripping with soft, blood-red gum. I memorize the spot and proceed, faster now. I have to watch my steps. The trail is akin to an ice rink.
At the birch tree, I stop once more. From here the field looks softer…
The birch is a pioneer, a tree of new beginnings and the first to come back after complete devastation. The birch profits from death and desolation, but it also paves the way for others to follow and thrive. Beith is for birch, the tree of January, the door opener.
Remnants of snow on the barren field, remind of the birch’s torn bark. It starts raining and continues to do so. The next day the snow will be gone.
The Blood-Red Resin Tears of the Cherry Tree Sisters
Returning to the cherry trees, the resin is moist from the rain water and easy to scrap off. I collect a jar full, which I later place on the heat. The resin dries and hardens quickly. In its soft state it is sticky and a yellow golden color. It smells remotely of ripe cherries and of caramel, when burnt. In German it is also known as Katzengold, literally “cat’s gold”, and used for sweetening cough tea. In my worship, I employ the dark red resin tears for Naamah and other female entities. In their harvest, take care to not take everything and leave some behind for the spirits, along with offerings for the guardians of the trees. Physical gifts are symbolical and in order, but they count none without respect and patience. The latter are the true sacrifice. The trees will remember your signature and recognize you next time you approach them.
I am thankful. The thought had crossed my mind to scar the trees in order to gather their resin. But I have not done so. Therefor I am blessed.
Concerning the Wood Wide Web: http://www.bbc.com/earth/story/20141111-plants-have-a-hidden-internet