Tag Archives: art

Pillars 1.III – The Ebon Kteis

27 Jan

Pillars 1.III Pillars 1.III

Today arrived my contributor copy of Pillars Journal 1.III, The Ebon Kteis, which contains my very first published essay and where I delve into the concepts and personal motivations behind one of my artworks. The topic is inspired by the many question I keep receiving about the Mandrake and is titled Regina Amandrakina – Exploration of the Image and Strange Idol. So now all those, who asked me questions, receive here 11 pages food for thought (and of course everybody else is welcome to read this as well, because it’s a heart piece and will help you understand how and why I do what I do!) (;

I immediately started reading and, as with the previous Pillars issues, this one has become again a masterpiece of editing and type setting! It’s obvious there was put again a lot of thought into the editing and arrangement of the different contributions. Photos, art and texts by different authors come together and compliment each other seamlessly. Also the line breaks and paragraphs of written contributions are arranged thoughtfully. Besides this the bronze print on the cover compliments the vibe and aura of this tome just perfectly.

“‘The Ebon Kteis’ is a journey back into Darkness; somber in tone than its older siblings and aiming to be more of a visual feast to inspire Minds & spark the Sacred Flame Within.”

But it is not only the visual side that is utterly appealing about this publication. Anathema has specialised in bringing together artists, occultists and lonesome wolves, which, as different and individual each of them may be, share a mutual vision and idea of truth and searching. And there is another interesting aspect that emerges once you skim through the pages. The topic was given, but each contributor works independently and usually there would not be much interaction, yet each piece of art and writing seems to harmonize with the other, as if led and guided by the same spirits. This is the subtle magic of Pillars, which strikes me with each new release.

This issue is the last in the series (though a new volume, with different outfit is planned). There are once again 230 copies available, half of which have already been sold. So better hurry, least you’ll have to spend ten times as much, once the sold out publication ends up on eBay!

Pillars 1.III – The Ebon Kteis | out January 2015 | www.anathemapublishing.com/

 

Plant Sigil Card Set, Autumn Equinox Edition

26 Sep

Finally done! Here are the latest sets of cards with my plant-inspired sigils. Wrapped in autumn-colored peacock marble paper, fitting for the autumnal equinox.

As you know I am dedicating sigils to each herb I work with and keep posting these sigils here and elsewhere. In March this year I made a first print set of these abstract sigilic emanations, which I brought with me for the London Magical Arte event. The cards were passed around, single motifs were discussed and became the basis for inspired conversation. At the time I had only printed the cards but not yet made a nice packaging for them. Later I made a slipcase with paper bought from my local bookbinder. Thus far two smaller editions have been done for the Spring Equinox and Summer Solstice, now followed by a 3rd for the Autumn Equinox, the content being:

  • 45 cards with plant sigils printed black on heavy paper vergé
  • 4 colored cards with my ‘soul-paintings’
  • numbered edition specific title card
  • list with names of corresponding herbs
  • introduction to the cards

All cards are hand-numbered on the back. With the help of a list you find the name of the corresponding herb for each card. There is no prescribed method of laying the cards. Possible ways of interpreting and laying them are outlined in the introduction that comes with each set.

Price: 31 Euro for one set + shipping

Offcial sale date was September 22 and thus far 9 boxes have already been paid and 3 more are reserved. I hope to be doing larger editions in the future with the help of the funds gathered through the sale of these first editions. If you wish to have one please message me at info@teufelskunst.com

MAGICAL ART/E, circular tower of an event – part II

31 Mar

The Art

Below you see some of the art displayed at St. Augustine’s tower last weekend. We set up our works in the tower’s different storeys, starting with the entrance hall, which had the best facilities for displaying drawings, paintings etc. I somehow missed to take snapshots of Charlotte Rodgers‘ sculptural works, which were shown on the first floor, where also the talks, music perfomances and meditations took place. (Might do a special about those at another time in connection with Charlotte’s recent publications.) On the second floor was the room for the tower’s clockwork, where Glen Tomney, Amodali and Jezebel Halewood-Leagas and myself arranged our different works (see photos below).

Lastly on the third and top floor Angela Edwards had set up a controversial art-shrine dedicated to Pomba-Gira. Think for a moment of a demonic vulvic altar, all covered in blood, being exposed in the top of a church tower and accessible to a wide audience – not only Christian visitors felt repulsed by the visual aggressiveness, but also esotericists and occultists of various backgrounds had a hard time relating to the work. It was very interesting to see the different reactions from outraged to amused, from stunned to indifferent. My way of response was by lighting candles and icense because that’s what the incense and candles was there for. Amidst the provocation and controversy there was also a way of showing respect.

This was certainly not a ‘professional’ exhibition as you would expect from a normal gallery. The tower was cold, electricity was not working propperly and there were little facilities for hanging up work (hitting nails in the walls was not allowd inside the historical building). Regardless we managed to work around that and improvised: at night we lit candles to illuminate our artworks, which we arranged inside and around the windows and upon the wooden doors of the tower’s clockwork. The light and warmth of the candles created a special and beautiful atmosphere inside this unique location. After three days at the tower none of the pieces felt quite the same. Amidst cobwebs and dust centuries old they had now been charged with the special vibes of the place.

The People and Surroundings

On Saturday it was hailing whilst sun kept on shining, creating a very special mood, which again reminded me of the imagery on the tarot tower card… Below is the view from the tower’s entrance door towards the old gravestones lined up to the left. Directly infront of the tower was a beautiful majestic tree, looking all the more dramatic against the scenery in the sky formed by dark clouds, sunshine and hail. You see also a sandstone relief left to the tower’s entrance, showing three skulls with triple crossed bones, hourglass and dragon wings…

The other photos are from Saturday’s talks and musical performance, perhaps the busiest day and drawing the largest crowd to the tower throughout the entire week. You see painter and performance artist Angela Edwards chatting with Lucius Matthiesen, the audience at Charlotte Rodgers‘ talk on spirit houses etc… Saturnnight ended with a jam session by Roberto Migliussi (vocals), Chris Chibnall (theremin wiz), Gavin Semple (guitar), Mark O Pilkington, Glen Tomney and Freya Black (magic flute). I could not attend the entire session due to being left in charge of guarding the entrance, however I could still enjoy the sound-scapes from the hall below (the tower proving to have amazing acoustics).

MAGICAL ART/E, circular tower of an event – part I

28 Mar

This was not your usual exhibition, talk event or art show nor was this your usual esoteric gathering or occult conference. This event was different, in a number of ways and a challenge to all participants. If you would have asked me 2 weeks before if I was going I probably would have ruled out the option for a lack of funds, time and motivation. All of this changed precisely 1 week before I eventually embarked on my little journey to London (for the first time in 7 years). It was as if something had tipped me on the shoulder and all of sudden I felt a boost of physical and mental strength I seldom have the joy to parttake of these days. (It may sound weird but at the age of 30 I feel like 40 despite looking like 20). I figured I had to go. The next few days I was preparing maniacally my prints. The woman at the print shop became my new best friend. I booked my flights and transfers as if steered and eventually, after days and nights of no-sleep, preparing and packing and but a few hours of rest I found myself on the bus to Berlin airport. I would describe my state as lucid yet focussed. Constantly going up and down mental check lists.

What struck me that despite the dark and somewhat fearsome attributions that the image of the tower is usually associated with (see the tarot card XVI for reference) my journey went smoothly. And when I say smoothly I mean everything worked out perfectly. I was on time, did not forget a thing, did not loose anything either, flights, busses, trains – whatever was needed to get to the place did not let me down. If I was lost for the way people helped me find it. I was met with so much friendliness I eventually started wondering whether this was real life (usually not as handsome) or a movie – in the most positive sense.

When I arrived at Andrea’s (the organizer’s) place I knew noone. I expected to be greeted politely and then quickly labeled as the ‘strange German girl you rather not waste too much time on’ (which is what I am used to). Instead I was indeed welcomed so warmly and found myself immediately involved in the most creatively engaged talk. I remember how Charlotte Rodgers took the initiative; Glen Tomney and Roberto Migliussi joined in and a couple of minutes later we were talking art and meanings, of a quality and depth of understanding, not intellectual but intelligent talk, I rarely find in people and which impressed me. This was down to earth and honest. No bollocks. And this was something that continued throughout the event.

We had no time to waste and soon headed straight to the tower: a solitary monument in the middle of London Hackney, medieval looking and reminding me indeed of the tarot card. At the entrance, which was locked, we met a little hippie woman. She explained she had come here for the equinox and to light a candle at the place, which according to her would be situated on the same ley-line as Stonehenge. She also told us stories of the tower being the oldest church tower of entire Britain and twelve monks having commited mutual suicide in this building. We do not know if either is true. But I was amused and felt reminded of other occasions where a stranger would appear out of the blue, telling stories and legends. To me Paula was a messenger.

Unlocking the gate to the tower, we promised her to leave the candle burn (even though I wondered how it was possible for any candle to remain lit under the windy conditions). Entering the hall I could now get a first impression of the inside of the tower building as well as the art on display:

–> Continue for part II

MAGICAL ART/E circular tower event, London

20 Mar

I will be attending and participating in the London MAGICAL ART/E, a circular tower of an event this weekend. The happening takes place at St. Augustine’s tower, Hackney, London, providing a unique location for performances and exhibitions. Coming with me are 20 photo prints from the Listen to the Silence series as well as prints of my drawings and abstract sigil art. Below is a photo of the tower.

St. Augustine’s Tower, Hackney, London

Path of Samsara Pyre Shirt

22 Dec

Path of Samsara

I just love the shirt with the band-logo and art designed by Akherra Phasmatánas

Path of Samsara are a band from Munich and currently have their first album Black Lotus out

Their demo was demo of the month in German Metal Hammer

Read an interview with the band in German Legacy magazine here

To order the shirt and album go here: http://pathofsamsara.bigcartel.com/

Pillars Journal Arrived!

21 Dec

Finally… This journal has been on a long journey from Canada to Germany (thanks to German customs) but after 8 weeks I could finally hold it in my own hands. Others, who had received their copy weeks earlier have already been marvelling on the issue’s excellence. Indeed I was impressed too now. Some facts: Great editing and design by Gabriel Mc Caugry. Essays and Artwork are thoughtfully arranged. I am happy about the placement of my Heqet-Hekate illustration in between the contributions by Ash Nostro Morg and Jeremy Christner. There is also the extra card that came with the release, which has my illustration and sigil design printed on fine art carton. Lastly the transparent end-papers are a nice touch too. Here are some photos for your viewing pleasure:

Pillars I, Card

Pillars I, Illustration

The journal can be ordered here:

http://www.freewebstore.org/ANATHEMApublishing/-PILLARS_-_Vol1,_Issue1

Interview and Art Collabo with Vaenvs Obscura

13 Oct

I did an interview with Romanian artist CM Vaenvs Obscura.You can read the interview over at Teufelskunst: http://teufelskunst.com/2012/10/13/interview-ii-vaenvs-obscura/

I also sent him a drawing for an Artist Collab:

Drifting, pencil 2012

Still waiting for him to finish it….

Illustration: Pillars Periodical Journal

26 Sep

Preview of the Illustrated Card to go with Pillars Periodical Journal, Issue 1, Vol. 1

Card contains:

Hand-inked Lucifer Seal with characters and evocational formula from the Grimorium Verum and personal Teufelskunst seal. The surrounding illustrations are semi-automatic, born from chaotic lines drawn randomly on paper until figures took shape. I was aiming for a sketchy and relaxed style, something which does not want to be admired but communicates essence and inspiration to fellow practitioners on the Path, passing on overall positive energies. I still traced and erased much in the search for fitting figurative elements and I did not use any references except for a pair of crossed human femur bones.

This is a preview. The entire illustration will come as a card to go with the first issue of Pillars Periodical Journal.

To buy the journal go here http://www.freewebstore.org/ANATHEMApublishing or write to strychnine357@gmail.com

Here is another snippet from the card as well as an obscured preview of the Heqet-Hekate illustration going inside:

Images are done as Xonia Abyssos

Art Prints

23 Sep

Art prints

Art Prints shipped to Australia and Canada