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ROOT Art Exhibition Online

22 Dec

ROOT is the inaugural exhibition hosted by The Organic Centre & creatively coordinated by artist Sarah Ellen Lundy as part of the pairs ongoing collaborative ‘Project Earth’.

https://www.rootexhibition.com/

 

“Bad Intentions” Exhibition Opening at Gallery CIRCLE1, Berlin 2017

25 Nov

“Bad Intentions” Exhibition Opening @ Circle 1, Berlin

The candles have been lit, the incense has been burnt; my work now vibrates in the rooms of gallery Circle 1 until December 23rd. What started as a vague idea of creating artwork for a list of magical plants, has years later finally taken shape. Now was the point when everything fell into place naturally. It was preceded by searching and researching, trial and error, sowing, growing, loss and gain in the very basic and earth-bound occupation as a gardener and harvester. The first hand study of the actual plants laid the foundation, my rediscovered love for ink became the tool for manifesting my visions.

The installation is hence titled “Harvest” and consists of an earthen altar with dried plants and harvest related offerings: self baked bread, honey from the neighborhood and self-made beeswax candles. The souls and spirits that were contained in the once alive, now dead corpora of the plants, find a new house in the form of fetishistic ink drawings: the “Sigilla Magica” series.

With these new forms I also find an own language, which aims to both entertain and communicate memes to the viewer. 12 ink drawings reference 11 magical plants as well as the ‘queen bee’ – “Regina Bombina” – governing the vital interaction between plants and pollinators. In addition, 2 anthropomorphic drawings depict the Aconite and Mandragora in half-human form, as the armed and poison-dart struck “Wolf Shaman” and beheaded and re-headed “Regina Amandrakina” with her freakish offspring. Lastly, 2 botanical studies of the roots of the Aconite and Mandragora are meant to act as a bridge between abstraction and realism and honor the individual and fascinating shape of each in detail.

Some of the works:

 

Impressions from the vernissage:

Thanks to all involved!

17.11.-23.12.2017 – Bad Intentions,
a group exhibition curated by Avi Pitchon and Alona Harpaz

Opening times:
Thursday – Saturday
12:00-18:00

CIRCLE1 Gallery
Mittenwalder Stra­ße 47
10961 Berlin

“Bad Intentions” Exhibition Opening

8 Nov

Dear followers and friends,

I am happy to share the news with you that I will be part of the exhibition “Bad Intentions” at Circle 1 gallery in Berlin, opening November 17. You are all invited to attend and spread the news!

This is a unique opportunity for me to bring my plant inspired art to a new audience. I will be showing ink drawings of my “Sigilla Magica” and illustrations, supported by an installation with different magical herbs from my garden and surroundings.

Below a quote from the introduction text, by curator Avi Pitchon:

“Bad Intentions” seeks to modestly contribute a tiny voice to hopefully echo into a massive abyss. The title is a reference to the good intentions of ‘artivism’, and where they lead to: the disappearance of both art and activism. The exhibition does so by staging an absurd tear between art and artist, in the hope that a gaze into the tear might enable a distinction between art and politics. The artists selected for this group exhibition are Jewish-Israeli, Palestinian-Israeli, Jewish, Palestinian and German. However, no artwork in this exhibition forms an explicit mirroring of any social or political tensions formed within the above ethnic/national triangle. The artwork does not ‘speak for itself’; it simply speaks by itself. “Bad Intentions” intentionally ignores the background and circumstance of the artist, in order to destabilise anything that is expected of such a grouping of artists, because all of those expectations are not only tired cliches, they also silence the speech of art. “Bad Intentions” is thus an invitation for the viewer to empower themselves by placing the weight and responsibility of attention on them; by not providing crutches of meaning.

Bad Intentions

Artists: Eitan Ben MosheWiebke RostGeorgia KuhnTamy Ben-Tor & Miki CarmiMerav Kamel & Halil BalabinMika RottenbergOsama ZatarAnat Ben DavidNeta Dror and Keren Cytter

Curated by Avi Pitchon and Alona Harpaz

17.11.2017 – 23.12.2017

Friday 17.11.17 at 19:00 – Exhibition Opening 

This exhibition is supported by the Szloma Albam Stiftung

http://www.szloma-albam-stiftung.de

Neta Dror – Keyla, 2016

Ostrale 2017, Opening

3 Aug

Impressions from the opening of Dresden’s Ostrale 2017, third largest exhibition for contemporary art in Germany. This year’s motto “re_form” reflects on cultural and political changes, with 1118 works by 164 artists from 25 nations. Noteworthy, the NSK (Neue Slovenische Kunst) state in time has its own “protectorate” in the exhibition halls.

Soundlab inside artistgroup SARDH and Said Dokins and Leonardo Luna (MEX) opened the exhibition with a sound/light installation. Alexander Nym (Kultur-Aktiv e.V. Dresden) gave a thought provoking opening speech (video uploaded with permission).

Photography Exhibition Gotha

2 Nov
“Tree Lights/Way Home”
“Forest Land/Lachten”
Date: November 4th
Location: The Londoner – English Pub, Gotha
Opening: 6 pm
The exhibition opening coincides with the “Samhain Celebration – a night of extreme avant-garde music”.
presented and supported by:
DEAF FOREVER | The Londoner, Gotha | House of Inkantation | Eisenwald| Waldhalla – Das grüne Metal Mag | Photos of Kaos
Line-up:
MOSAIC  – Gotha | Germany 
Grift – Kinnekulle | Sweden
Farsot – Gotha | Germany
Vivus Humare  – Gotha | Germany 
SPECIAL GUEST #1: Teufelskunst
+ photo exhibition by Wiebke Rost Photography
Entrance: 6 pm
Begin: 8 pm
Tickets:
VVK: 15€, AK: 18€

Away from the Paper Maze

10 Mar

Done and through with that paper hell, which kept me from crafting and being creative for the past weeks. Whatever the result of all this filling out forms and balancing numbers will be, I’m just glad to be done with it. I’m an artist, not an economist. I’ll probably never have much to live on, but therefore I’ll always be rich in spirit…

Also, and what brought some light into my life these past weeks, were friends, who just grabbed me and dragged me to events, forcing me to actually live a life, lol. That is my friend Bianchina Rê​, who invited me to see Monster Magnet​ in concert, which against all prejudices turned out one of the best gigs I’ve attended, as well as discovering a new band, Bombus​, who I’ve never heard of before but who did in fact blew the audience, myself included. And it’s damn nice to still be friends after 15 years or longer and partying as decently as we used to when still in school – or actually better, hah!

Last week, I got to attend Philipp Gloger‘s exhibition opening. I had once done portrait photos for his art catalogue and love his painting style. So last Thursday was another turn for seeing old and new works on display under the motto “Ausflug” at Helmholtz-Zentrum Dresden-Rossendorf​. It was nice to spend this evening in the company of my family (that is my parents and boyfriend) and friends and check out art. For samples of Philipp’s works go to http://www.philippgloger.de

Then Saturday was time for “Chappie​! Turns out Neil Blomkamp​ kept his promise towards DIE ANTWOORD​. This could have gone very wrong or easily could have gotten embarrassing putting the two musicians in co-starring rolls, but instead it turned out damn right and absolutely authentic, probably because Die Antwoord have always been a complex entity and it was a good choice to let them lend their own flavour to this project. This sure wouldn’t have worked with any movie but here it just fit in very well. Besides, the movie was so damn moving. I almost teared up.

Sunday we went on a photo spree in and around an old water works building. The weather was amazing and we got a few nice shots. This is the first time in ages for me photographing in a team! My boyfriend made panorama shots with his new phone, I used my Canon and our friend used a Nikon camera. I’m very excited to see and compare the results! Also, I handed over a photo from my “Tree Lights” series printed on wooden board…

Monday evening we attended a reading at Militärhistorisches Museum der Bundeswehr Dresden​. The topic of the evening was the bombing of Dresden in 1945, as experienced by the novelist Erich Kästner​. Records of the events were shown in the form of manuscript pages and postcards exchanged between Kästner and his mother. It was very interesting, the descriptions sure sending shivers down my spine. Even a man of such literary skill and diversity battled finding words for describing the scale of devastation brought about in less than 1 hour… Leading through the evening were Dr. Ulrich von Bülow (Deutsches Literaturarchiv Marbach) and poet Durs Grünbein​, a former class mate of my mom, who has been awarded the Georg Büchner Preis amongst others, and who also read from his own books… back home I read half of his 49 stanza poem “Porzellan“, an attempt at reflecting and reconstructing the late WWII events and scenery, which more or less erased Dresden from the maps… The big question, not WHO, but HOW and WHY could this happen?

There is much food for thought and yet my mind is again filled with completely different things… there is a new sigil that wants to be brought to paper, I still have to fix the “Regina prints and with the solar eclipse ahead I am also planing to finally make available a few Lilith– and Regina-specific incense blends, which I’ve been working with for years, but never shared as of yet…

And least I forget my recent commission works… life proceeds at a high speed. I just took a short break to type this up. Photos and more detailed reports to follow…

MAGICAL ART/E – Circular Tower of an Event, London 2014

28 Mar
Esoteric art exhibition and talk event, St. Augustine's, London Hackney, 21st - 23rd of March 2014

This was an unusual art exhibition as well as an unusual occult gathering. This event was different in a number of ways. It was also a personal challenge.

If you would have asked me two weeks earlier about going to London and exhibiting my art there, I would have declared you insane. But it happened. All my concerns, about lacking the funds, health, whatever, and other obstacles magically vanished, just one week before eventually embarking on my journey to London. It would be the first time in seven years.

It felt like a tip on my shoulder, followed by a physical and mental boost. The next few days I was like a maniac, preparing prints, packing art, clothes etc. Everything had to fit into a board case. The woman at the print shop became my best friend. I booked the flights last minute and eventually, after days and nights of no-sleep and few hours of rest, I found myself on the bus to Berlin airport, feeling lucid yet focused, constantly going up and down mental check lists.

“A tower of an event…”

The tower usually evokes a dark and fearsome image. However, my journey went smoothly. When I say smoothly, I mean everything worked out perfectly. I was on time, did not forget a thing, did not loose anything, flights, buses, trains – whatever was needed to get to the place did not let me down. If I was lost for the way, people helped me find it. I was met with so much friendliness that I eventually started wondering whether any of this was real.

“A circular gathering…”

It is the day of the vernal equinox. When I arrive at Andrea Kundry’s place, the other guests are already involved in animated conversation. I know noone and expect to be plutoed as the ‘German girl’. Instead I am welcomed warmly and find myself instantly involved in creatively engaged talk. It is  Charlotte Rodgers who takes the initiative; Glen Tomney and Roberto Migliussi join and a couple of minutes later we are talking art and meanings. It will continue throughout the event.

We have no time to loose and soon head straight to the location: St. Augustine’s tower appears as a solitary monument in the middle of London Hackney, medieval and out of place looking, reminding indeed of the tower tarot card. At the entrance, which is locked, we meet a little woman named Paula, who is dressed in hippie apparel. By little, I mean that she is maybe less than 5 feet tall. She has come here for the equinox and to light a candle in front of the tower, which she explains, is situated on the same ley-line as Stonehenge. She also tells us the tower was the oldest church tower of entire Britain and twelve monks had committed mutual suicide in this building. Her words sound like the perfect initiation into the event.

Unlocking the gate, we promise Paula to leave her candle burn, even though I wonder how any candle would remain lit under these conditions. This equinox comes rather as a late come-back of winter than a warm spring beginning.

Then we entered…

The tower’s inside is flooded with day light, shining through tall Gothic windows, illuminating layers of dust collected on cobwebs and the various artworks positioned on tables and hung on wire threads. In one corner, covering a wooden balustrade, hangs resplendent the large image of a black devil dancing on skulls and sticking out its tongue. It is painted by Dolorosa de la Cruz.

Passing art by Andrea Kundry and intricate sculptures by Charlotte Rodgers, we proceed up a narrow stairway and enter a small room that houses the tower’s clockwork. A reproduction of Amodali Zain’s iconic work is arranged alongside miniature paintings by Jezebel Halewood-Leagas, to be joined by various drawings and a goblin-themed assembly by Glen Tomney. In the same room I am later also setting up my long exposure nature photographs.

Crossing a small wooden bridge, we enter a second room with animal sculptures by Charlotte Rodgers. The iridescent black feathers of a winged corvid creature refract the daylight into its single parts. The bird resides over the talks, meditations and musical evenings taking place here.

We climb up to the last floor, the tower’s attic. In a dark corner presents itself an enormous vulvic shrine dedicated to Pomba-Gira. It consists of multiple ceramic and paper pieces, all created and set up by Angela Edwards. Two visitors are leaning thoughtfully over the installation. Later there will be Christian visitors inspecting the tower and wondering about the unusual happening and they will be shocked and confused by Angela’s work. But even esoteric folks visiting the tower for the exhibition will react ambiguous and unable relating to the presentation. It is the first time for me getting to know Angela and her work, and I too have to sort my feelings in regards to its provocative and violent yet strangely beautiful and enigmatic forms. I shall learn later, how much substance there is to it. Angela provides the viewer with candles and incense for paying respect to the spirits. So I light some, the rest remains an inner dialogue. Later I will spend more time chatting with Angela and without knowing or deciding on it, we are to stay in touch for years to come.

The inside of the tower is cold, electricity is not working properly and there are few facilities for hanging up our work, as it is forbidden to hit nails into the walls of the historical building. But somehow we manage by improvising: arranging our works in window frames, underneath timber beams, at the edge of protruding wall stones and on the wooden doors encasing the clockwork. At night we light candles to illuminate our artworks. The natural light and warmth of the candles creates a special and beautiful atmosphere inside this unique location. After three days at the tower none of the pieces would feel quite the same. Amidst cobwebs and dust centuries old they become charged with the special vibes of the place.

The following day we are greeted with storm and hail whilst the sun keeps on shining, creating a twilight mood, which again reminds me of the imagery on the tarot tower card…

Below is the view from the tower’s entrance towards the churchyard with its old gravestones. Rooted directly in front of the tower is a beautiful majestic tree, looking all the more dramatic against the scenery in the sky formed by dark clouds, sunshine and hail. Beneath, see also a sandstone relief mounted at the left side of the tower’s entrance, showing three skulls with triple crossed bones, hourglass and dragon wings – a memento mori, representing mortality, evanescence and resurrection.

Saturday is full-packed with talks, meditations and musical performances. On top of a busy schedule, Andrea, the organizer herself continues feeling (and looking) ill, despite hoping for recovery until the very last minute. As she can not attend her own talk, she asks me to jump in. Suddenly I find myself in the unexpected situation of having to talk in front of a foreign audience, in a foreign language, who are expecting in depth info and insights about the very location of this event, St. Augustine’s. Instead I fill the spot with talk about memes, the symbolism of plants and drawing, handing around my sigil cards for inspired conversation. Somehow we manage and my Sigilla Magica gain the attention of the audience.

Saturday evening ends with a jam session by Roberto Migliussi (vocals), Chris Chibnall (theremin), Gavin Semple (guitar), Mark O Pilkington, Glen Tomney and Freya Black (magic flute). The tower provides amazing acoustics and so we sit there, chatting and listening to the wondrous vibrations.

On the last day it is time to pack and leave. We say goodbye, exchange contacts and return to our homes. Some people I meet throughout the event, are probably of high relevance within the London/UK esoteric scene. But my mind is already overwhelmed with new impressions and my journey is not over yet, as I am invited to check out two esoteric book stores. I need to catch my flight though and so there is only time left for one. We check out Watkins Books, recommended by Roberto Migliussi. I am impressed by the beauty of the place as well as the sheer amount of esoteric books on the shelves. I don’t think something similar exists in Germany. Roberto also purchases the very first of my sigil card sets and simultaneously entrusts me with the task of coming up with a better packaging for them.

Back in Dresden, I set to work.

MAGICAL ART/E circular tower event, London

20 Mar

I will be attending and participating in the London MAGICAL ART/E, a circular tower of an event this weekend. The happening takes place at St. Augustine’s tower, Hackney, London, providing a unique location for performances and exhibitions. Coming with me are 20 photo prints from the Listen to the Silence series as well as prints of my drawings and abstract sigil art. Below is a photo of the tower.