










Moos-Monat
Das frische grüne Moos glänzt im Licht der reinigenden Februarsonne
Die goldenen Kätzchen der Hasel gleichen dem Goldregen, mit dem Frau Holle ihre treue Dienerin segnet
Frau Holle hat sich verjüngt und sendet ihre ersten Frühlingsboten











Moos-Monat
Das frische grüne Moos glänzt im Licht der reinigenden Februarsonne
Die goldenen Kätzchen der Hasel gleichen dem Goldregen, mit dem Frau Holle ihre treue Dienerin segnet
Frau Holle hat sich verjüngt und sendet ihre ersten Frühlingsboten












Der von Osten
meinem Garten anvertraut,
Gibt geheimen Sinn zu kosten,
Wie’s den Wissenden erbaut.
Ist es ein lebendig Wesen,
Das sich in sich selbst getrennt?
Sind es zwei die sich erlesen,
Daß man sie als eines kennt?
Solche Frage zu erwidern,
Fand ich wohl den rechten Sinn;
Fühlst du nicht an meinen Liedern,
Daß ich eins und doppelt bin?
J. W. Goethe


“Der Heilige Geist und die Natur sind eins: Täglich ist die Natur ein Licht aus dem Heiligen Geist und lernt von ihm, also kommt es im Menschen während der Tiefe der Nacht. Das Wissen der kalten Vernunft hat verblendet das Licht der Weisheit und das Licht der Natur; so herrscht eine fremde Doktrin und hat beider Erkenntnis zwischen Stühle und Bänke gesetzt. Die dieser fremden Doktrin anhängen, versuchen die Wahrheit beider Lichter zu verdunkeln und wollen sogar das Licht des Ewigen und der Natur auslöschen.
Nun merkt, dass Christus und die Seinen dem Licht der Natur nichts genommen haben, aber die Scholare mit ihrem pharisäischen Sauerteig wollen der Natur ihre Macht brechen und nehmen, und zwar weil sie selbst weder Christus nachfolgen noch dem natürlichen Licht. Sie sind die Toten, die die Toten begraben. Kein Leben ist in ihrem Tun, denn sie lernen weder etwas vom Licht der Ewigkeit noch vom Licht der Natur und wollen’s doch beide sein.
In der Natur ist ein Licht, das heller scheint als das Licht der Sonne; in diesem Licht werden die unsichtbaren Dinge sichtbar”
PARACELSUS “Vom Licht der Natur und des Geistes”

Panorama composed of three images, Aletsch glacier, view from below Märjelensee, July 2024
In July we took the path from Bettmerhorn along the Aletsch glacier towards Eggishorn and the glacier’s gate, which is located a few hundred meteres below Märjelensee. As we headed back, I was able to take some photos of the arena sans people, except for two persons in the distance, which give a reference of the glacier’s actual size.
The Aletsch is the largest glacier in the Swiss Alps and for a long time has withstood weather or climate changes. However, lately it is decreasing every year. The former entrance gate, where people could stand upright infront of the clear blue ice mass, has nearly vanished. Currently you have to kneel in order to still catch a glimpse of the stunning ice blue colors underneath.
Our hike back turned out longer than planned but granted us stunning views of the evening sun casting its rays through isolated clouds and dipping the blooming highland meadows into a warm golden light.
With a walking distance of 20 km this has been my longest hike so far. Our four year old walked at least of half of it on his own and mastered the climb to and from the glacier ice all by himself.









First, fluctuating impressions for 2020… later we went to see “Motherless Brooklyn” at one of the Filmkunstkinos here in Düsseldorf. I like films, where one can actually focus on the characters and remember the story afterwards. This was such a film. Edward Norton is a little genius.
Years ago I began creating abstract line drawings, or ‘sigils’, inspired by nature. In these works I summarize nature science, folklore and personal experiences connected to the plants and animals that surround me. Some of these works are already 10 years old. The best known is perhaps the official Teufelskunst logo, which is inspired by the wormwood herb. Another is my sigil for the ‘black mandrake’ and the metamorphous art titled “Regina Amandrakina”, which were both published in “Pillars Periodical, The Ebon Kteis” (Anathema Publishing, Canada, 2014).
A first print edition of these works was introduced at the London “magical Art/E” event, which took place in 2014 at the old Hackney tower. Later (still self-produced) print editions sold out quickly. In follow, I created smaller ink drawings and miniature editions with these sigils. An important aspect of these drawings is the treatment of the paper, which is infused with tinctures and corresponding extracts of natural materials. In November 2017, these ink drawings premiered as part of the “Bad Intentions” group exhibition at Gallery CIRCLE1, Berlin.
This is my second work in this line representing an ‘animal’ spirit. It combines mythology and spiritual lore connected to the Corvidae family.
Ravens and crows both feature extensively in the mythology and folklore of basically all continents and nations. I cannot remember when exactly my own journey with these animals started. But they continue to present me with the most auspicious magic and moments, whenever I open up and notice their ever-presence. Hence, when a friend inquired for a crow skull tattoo, I already felt a deep connection to the animal’s collective spirit. But then began a reading and study journey, for which I received some wonderful recommendations. The sigil art presented here is the quintessence of my autumnal journey with the crows, ravens, magpies, jackdaws and grosbeaks around me and their universal lore.
In November 2019 I created the first ink drawings on infused paper. The sigils are signed and numbered on the back. They come in a black cardboard box, which is also signed and numbered. Along with the artwork you also receive a 30 ml bag of evocation incense, created specifically for the King of all Corvid Folk, as well as one piece of cherry resin and one auspiciously branched “Pin of Slumber” from the blackthorn.
Artwork size: ca. 12,5 x 12,5 cm
Edition specifics: limited to 2 x 7