Archive | February, 2015

Mandragora Flowering

26 Feb

Mandrake Flowering

Vernal mandrake shooting forth plenty of flowers, in fact surpassing all previous years. It’s an utterly delightful sight! But still too early for bees or other pollinators. I may have to jump in…

This is my last of the vernal variant, all the others are autumn mandrakes, which flower in autumn and resort to an underground existence after christmas, usually showing no sign of life until the next fall. Even though I saw one of them is sprouting anew… I wonder if that one manages at last to actually flower at a time when the temps and light conditions are suitable.

Me and the mandrakes… an endless story to be continued.

Another photo of the plant in its current state of glory… those fresh leaves that look like salad (but are really very poisonous thanks to a variety of alkaloids) may soon extend to half a meter length.

IMG_0502 copy

Btw. I’m working on Regina Amandrakina prints…

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Dream Waters

21 Feb

Been diving
in the dream waters
deep
time to get back
to the surface
least I become
lost down here
once again

The Leaper Between

19 Feb

18 February 2015

In the mail today: Andrew D. Chumbley’s “The Leaper Between”. The book was released in 2012 by Three Hands Press. The text was written by Chumbley in 2000, an abridged version was first published in The Cauldron magazine in 2001. I yet have to understand in how far the essay is related to ONE: the Grimoire of the Golden Toad (or isn’t). Apparently the Golden Toad is more of a personal account whereas the Leaper is a historical research. I’ve been recommended to read both, but unfortunately the Golden Toad is now very hard (and costly) to obtain. The hardcover editions of the Leaper had sold out rather quickly as well and it was only thanks to a customer that it came into my hands.

This is number 219 of 231 “deluxe hand-numbered casebound copies in iridescent brick cloth”. It has a gilt toad device on the cover, designed by James Dunk. The same illustration is used on the title page, which is wrongly referred to as showing the toad at the roots of the alchemical tree from Samuel Norton’s Mercurius Redivivus. A correction for this is given with a bookmark, along with the title for the illustration being “Waters of the Moon”, a reference to the ritual account of the Norfolk horseman Albert Love (b. 1886) as well as the initiation rite given in Chumbley’s Golden Toad. The title illustration is a beautiful work of illustrative calligraphy, reminiscent of Arabic calligraphy and said to contain hidden links to Chumbley’s own alphabet.

Besides, paperback copies of the Leaper are available and unlimited in number.

On the above photo I added my own toad talismans. One is a mummified pet toad, which I’ve worked with in various ways. It’s not really connected to the ritual described in the book, apart from that it does serve as a talisman. Perhaps one day I’ll share my own working in this regards.

Some toad related artwork of mine:

PS: Tonight it’s having a “black supermoon“. This means the moon is in close proximity to the earth (occuring larger than usual) just that we cannot see it at this time, because it’s positioned right between the sun and the earth. So watch out, perhaps you can see even more darkness than usual on this night.

Edit: I’ve just been told one could read the Golden Toad grimoire at the Museum of Witchcraft. It’s certainly on my list of places to visit…

Original Art by Samuel Araya

12 Feb

11 February 2015

In the mail today, this raven painting by Samuel Araya. If you have been following me, you will remember the interview I did with the man for Teufelskunst. Fate has it, this was my first interview with a visual artist. And in retrospective this interview was more than just that, it helped us both evolve. Fate also had it, the painting arrived on this auspicious date and in an even more auspicious moment. (It’s been a rather sombre day…)I’ve placed it now in my ‘cabinet of obscurities’, where I’m keeping my small yet growing collection of occult books and religious/ritual paraphernalia. Now is just missing my stuffed crow to top it all…

Most fittingly, there was also a postcard included, which reads:

May the wings of the raven carry you

from nigredo to the stone of Gold

– SA. 30.1-15

Keeping it sombre (in a positive sense), here is how my workplace looked until a week ago. You see the crow and raven are ever-present:

Old Workplace, 1.2.2015

I’m changing stuff in my room and workplace since. After this long sick period, which I used however for updating and adding important content to this website (see the additions to the menue), I just want to get started. But not without some actual changes.

PS: Sam now also has a website. To view his work go to http://www.samarayaart.com/